Today marks the one-year mark until we get the sequel to the 2015 box-office-crusher Jurassic World, and Universal wanted to do something special to commemorate the occasion. Now look down at that glass of water you've got close at hand. Tiny ripples in the center, a distant thunderous thudding in the distance. New information is close at hand.
Boys, girls, people of all ages, the Serkis has come to town! Andy Serkis, that is. The motion-capture professional will take the lead of the neo-Planet of the Apes franchise once more on July 14 for War for the Planet of the Apes, the third chapter in the trilogy. At this point, audiences pretty much know what to expect: the great clash between hostile humanity and peaceable simiankind rages onward and approaches a final reckoning, as the Serkis-played chimp Caesar wrestles with the terrible responsibilities of leadership in wartime. But before audiences can revisit Apeworld for one last battle, 20th Century Fox wants to be sure we all appreciate just how much went into this film.
George A. Romero has fully laid claim to the dominion of all things Dead — whether that’s Night of the Living, Dawn of the, Day of the, Land of the, Diary of the, or Survival of the. The elder statesman of horror cinema has no intention of resting on his laurels, however. Perhaps riding the wave of renewed interest in Night of the Living Dead that accompanied its gorgeous restoration last year, Romero has announced plans for a new addition to the ever-expanding of the Dead universe. And it looks like his new breed of zombies have a need for speed.
See a few of his movies, and you’ll start to recognize the Martin Scorsese style: quick zooms and jump cuts cribbed from the French New Wave, exhilarating tracking shots, the occasional expertly-deployed pop hit, brief breaks from reality straight out of Powell & Pressburger’s playbook. He’s forged an entire career out of synthesizing influences and making their techniques his own, but even as he’s established himself as one of the most distinctive auteurs currently working, he’s never gotten mired in his own aesthetic. He constantly challenges himself to try more (if you need proof, just look at Silence), and in a new interview, he confirms that he’s going for something different with his next picture.
Martial arts expert and outspoken proponent of condom usage Jackie Chan is at it again, raring and ready to kick some enemy buttock even as he ages into his mid-sixties. The actor has kept up a steady stream of feature work (only some of which requires him to play chauffeur to a real live lion) and is currently preparing to re-mount his his kids’ cartoon series The Jackie Chan Adventures, but ever the work-horse, Chan’s just announced another new project. And what’s more, his next mission will pair him with a partner all too familiar to Eastern and Western audiences alike.
For a guy whose entire acting career has been overshadowed by one role he played decades ago, Mark Hamill’s got a pretty good attitude. He loves Star Wars, and what’s more, he loves how much the people who love Star Wars love Star Wars. A regular fixture at conventions and other fan events, Hamill regularly gets in on the fun and mingles with his adoring public. And in a new video from Lucasfilms’ charity arm Force for Change, he gives a handful of diehard devotees the surprise of their lives.
People like a legend. When Heath Ledger died of a prescription drug overdose in January 2008, he had just completed principal photography on his Academy Award-winning role of the Joker in Christopher Nolan’s grown-up Batman flick The Dark Knight. With zero foundation in confirmed public knowledge, a narrative sprung up around Ledger’s troubled final days, that the psychological demands of portraying a figure as sick and twisted as the Joker weighed too heavily on the actor. The apocryphal notion that the role ultimately drove Ledger to suicide is way off the mark, however, explains Ledger’s sister Kate.
Over this past weekend, CinemaBlend ran an interview with Marvel Studios decision-maker Kevin Feige. As per usual, the man was exceedingly tight-lipped about the future of his beloved superhero playthings, but even his obfuscating non-answers contained the tiny seedling of a revelation within them. While getting grilled about the fate of the Avengers franchise, its third entry of Infinity War slated for 2018, Feige let slip that there was a good reason that the already-scheduled fourth installment has no subtitle as of yet. Though the film was originally planned as the second half of Infinity War, the two projects were recently split into their own individual spheres, and Feige doesn’t want the fourth installment’s full title coming out because apparently it contains a spoiler.
For a franchise about slightly sketchy space crooks and intergalactic military types, the Star Wars films are almost conspicuously free of profanity. It makes sense from a business perspective — keeping the series PG-13 ensures that it’ll be open to a wider array of viewers — and yet the absence of cussing feels especially noticeable in a movie starring the famously coarse-tongued Carrie Fisher. The closest the series came to a four-letter word was Han Solo getting dissed as a “scruffy nerf-herder,” but a recently discovered cache of lost footage from the original 1977 Star Wars is going to change all that in short order.
Yesterday, Indiewire film critic David Ehrlich ran an illuminating essay on Netflix’s testy relationship with the original films it releases, explaining how their model of bypassing theatrical release and going straight to streaming ultimately degrades the viewing experience and makes the movies harder to find and appreciate. (This comes hot on the heels of an official denunciation from the Federation of French Cinemas against the Cannes Film Festival for allowing TV into their lineup for the first time ever.) Clearly, his words went straight to the top of Netflix’s corporate office, as the online video giant has issued a letter to their shareholders assuring them that everything’s going to be fine and movies aren’t dead, probably.
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